Controversy over Cinema’s Story: The creator of Udaipur files reprimanded the audience, asked why not watch their films

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News India Live, Digital Desk: Controversy Over Cinema’s Story: While some films are performing brilliantly these days in Bollywood, a new controversy has arisen about the choice of the audience. Producer Pradeep Mishra, producer of the film ‘Udaipur Files’, has raised serious questions on his Hindu audience and allegedly laid him up not to see “his own films”. His statement came at a time when he was targeting the audience who supported films like ‘Saira-2’ and ‘Kuli’, but not his film. Talking to Media, the producer of ‘Udaipur Files’ said in strong words that some people think that they should only see cinema that should be ‘entertained’, whether it is vulgar, whether it is vulgar or against their ideas. In this context, he taunted and said, “What is his fault? Just as it was dead, he is dying again, the dead is a Hindu. As long as such a Hindu will remain, it will work the same.” This very sharp comment has sparked debate on social media and the audience is giving their reactions. (Reference) Pradeep Mishra’s statement clearly shows that he is dissatisfied with the selection of films of the audience. His resentment is about the fact that some spectators run after the brightness of entertainment and big stars, rather they support films that are based on social, historical or particularly religious/cultural subjects. He alleged that some spectators prioritize cinema that focuses only on ‘Ulajul’ content except for moral or social messages. Films like ‘Udaipur Files’ are often based on specific issues or true events and expect support from a certain class audience. At the same time, titles such as ‘Saira-2’ (possibly a sign of a big blockbuster action film like ‘Jawan’) and ‘Coolie’ (an entertaining film of one mainstream) are big budget Bollywood films that attract wide public. Such a statement questions the autonomy of the audience and wages a new debate on the social and political influences of films. This shows that the lack of expectations and understanding between the filmmaker and the audience still remains a challenge in Indian cinema.

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